Member activity : Samir Bhowmik

RT @elisehunchuck: ADS7: Something in the Air (our studio at @RCAarchitecture, taught together with @mariofaranda and Jingru Cyan Cheng) is…

RT @_neural: #Neural: @joana_moll - 𝗧𝗵𝗲 𝗛𝗶𝗱𝗱𝗲𝗻 𝗟𝗶𝗳𝗲 𝗼𝗳 𝗮𝗻 #𝗔𝗺𝗮𝘇𝗼𝗻 𝗨𝘀𝗲𝗿, 𝘁𝗵𝗲 #𝘄𝗲𝗶𝗴𝗵𝘁 𝗼𝗳 𝗮 𝗽𝘂𝗿𝗰𝗵𝗮𝘀𝗲 - review > https://t.co/VlzEzhwE1k https:…

RT @TheArtsCatalyst: Today is the final day to watch artist Ignacio Acosta's film Litte ja Goabddá [Drones and Drums] as part of Extractabl…

Remembered reading @geoffmanaugh 's wild ideas and thought experiments in the early 2000s as an architecture grad… https://t.co/1pKzyFe8ym

Brilliant take on Deep Sea Mining- and the need to preserve our geohistory from capitalist plunder....via ⁦@e_flux⁩… https://t.co/HelvFCpNut

RT @jeffreymoro: a university without English (and history, philosophy, sociology, languages, the arts, biology, and political science, to…

RT @HELbiennial: .@Samir_Bhowmik reflects on how humans take possession of nature with infrastructure and technology. His work in #Helsinki…

@algorhythmics Congrats! Get to visit you.

RT @mean2greenstrz: "Planet of the Humans will be remembered because it has sparked a long-overdue debate about...problems with renewables.…

RT @shannonmattern: From Soil, Sand, + Salt Crystals: Films + Natural Processes: "this [virtual screening] program brings together a select…

RT @AaltoARTS: Photography alumnus Sebastian Wolf found the subterranean Helsinki and started documenting it during his studies. As the wor…

At the end of the landfill, overlooking islands, is a cliff edge straight as a vector line as drawn in CAD where th… https://t.co/R1F0UznWSr

...and, then, stumbled upon an unlikely graveyard at the top of the landfill-with discarded tombstones from the ear… https://t.co/Y4S51YOZSA

Today - climbed up the landfill at the end of Jätkäsaari - land reclaimed from the Baltic Sea #itämeri to expand… https://t.co/jLbphiotw4

Just received and reading: Footprints by @David_Farrier / the remains of ships in the shipbreaking yards of… https://t.co/CW43ntaj8Z

RT @FinInstLondon: Our network @instituutit responds to #covid19 pandemic by #TogetherAloneFi open call for art projects. For the second ro…

RT @juspar: With Yigit Soncul, we wrote a piece on face masks and masking that is out now. https://t.co/ah1oaZyjRt

RT @TheCreaturesLab: 🍾🥁 Let me introduce you to https://t.co/PRPxNjpbxY The Nooscope is a cartography of the limits of AI, created with a p…

Visceral writing by an artist and choreographer Alexandra Pirici - about a backlash on virtual technology, of hope… https://t.co/JfGL4mtDEv

Our joint artwork ”Where From Here” takes the form of episodic performances in a short film (shot on-site in NY & H… https://t.co/w3TC3bTnTX

So excited to be commissioned alongwith NY artist Lenore Malen @ParsonsFineArts @TheNewSchool for the timely & rele… https://t.co/DYGJbWl6LD

Great Read! Cool also to see @algorhythmics concepts re-oriented by @shannonmattern towards an Algorhythmic city wh… https://t.co/tdH8osUEBr

Next on reading: Bernard Stiegler’s Neganthropocene,-/—Stiegler opens an entirely new front moving beyond the dead-… https://t.co/7IL8A6V5XD

RT @hockendougal: “Supply chains aren’t a conveyor belt — they’re a ballet. And there are many, many ways this spectacular show can fall fl…

RT @NThylstrup: "Even with a bigger proportion of the world working from home, people still need the grid to keep the lights on and connect…

...and then around the corner coming upon the remains of a seaside villa with beautiful paintings and graffiti, the… https://t.co/WcRIYBknta

Today went on an expedition to see Post-Oil landscapes at the old oil harbor in Laajasalo, Helsinki re-visiting the… https://t.co/NzDg8DM9kc

RT @hockendougal: A Time of Disassembly: "Our supply chains groan, creak, and—potentially, eventually—snap under the weight of the current…

Max Ernst's Stratified Rocks(1920) is intriguing: “Stratified rocks,nature’s gift of gneiss lava Icelandic moss 2 k… https://t.co/VcbgFQs8EW

RT @pixelache: * Pixelache Festival 2021 Open Call * We hope to address the #Burn____ theme via postmedia, participatory and somatic conte…