Member activity : Samir Bhowmik

RT @hockendougal: Sharing my summer homework: Manifest is "an investigative toolkit for researchers, journalists, students, and scholars i…
Adding here: Martin Arboleda’s Planetary Mine - a review: https://t.co/Dk8cdK9SOE
@baruch @juspar Thank you! Have been showing iMine to students previously.
@ZaneGTCooper Congrats! Hope you get to exhibit soon.
RT @actar_publisher: #New #Geographies 09: Posthuman by @____MGL____ & @ghazal_jafari signals a historical condition in which the coordina…
RT @ZaneGTCooper: Check out this catalog for Extraction: Art on the Edge of the Abyss – a collection of extraction-themed art from around t…
@ADrummondCole @Taideyliopisto Thank you!
@ZaneGTCooper Thats a nice collection! Thanks so much
And, of course Sandro Mezzadra & Brett Neilson’s “On the Multiple Frontiers of Extraction: Excavating Contemporary… https://t.co/56mqfDgU54
Reading also @triofrancos who has a great description of Extractivism and Extractivismo here: https://t.co/SKGrKz72k0 via @ZaneGTCooper
Assembling a syllabus for “Ecological Thinking/ On Extraction & Art” (8 cr) for Doctoral/Masters students at the Ac… https://t.co/rKFpFGvGEI
I started with @juspar ‘s “From Planetary Depth to Surface Measure…” in the forthcoming Deep Mediations book, eds K… https://t.co/akn2s066y4
Dont miss ’Signals from the Sea’ - on view in Ruutikellari 62 @HELbiennial until 26.9. @Taideyliopisto #ai #media… https://t.co/HG8rkIyhOl
RT @juspar: Out now in Leonardo journal: "Memory Machines: Infrastructural Performance as an Art Method" - our article with @Samir_Bhowmik…
RT @hockendougal: Happy to share that ASSEMBLY CODES is now available to purchase @DukePress! Ft: me, @n_str, @SusanZieger, John Durham Pe…
RT @Taideyliopisto: Great to have you join us and present, @fuscowriting! Registration for CARPA has already closed, but if you're still in…
RT @juspar: All of the Terraforming 2021 (2nd cohort of the program @strelkaschool ) final projects are online now: https://t.co/e1zYzg0af…
RT @moia: "You're all so cool in Helsinki..." Watch our conversation with Brian Eno on @helsinkifest opening day. The exhibition 77 Millio…
RT @fi_lor: Why are we so fascinated by immersive art rooms? Read my latest comment for @hyperallergic in which I explore the history of a…
RT @IHMEhelsinki: Last day! "It was so wonderful to follow the people as they fell silent to listen and watch. The rowing boats were movi…
RT @HELbiennial: Come and follow a discussion between artists of #HelsinkiBiennial and @Taideyliopisto's Research Pavilion. The discussion…
RT @ecmille1: Excited to receive an advance copy of my book today from @PrincetonUPress, on a day when the skies of northern California loo…
RT @Samir_Bhowmik: Lost Islands @HELbiennial Final performances begin 18.8 -Register! Viimeiset esitykset alkaa keskiviikkona 18.8.2021 klo…
RT @HELbiennial: How can we design experiential private and public spaces to embody a spirit of innovation, foster spontaneous communities,…
@juspar Big congrats! Welcome back to the Nordics!
@shannonmattern @AestheticaMag @juspar @oodihelsinki @fciny That was just 2 years ago, feels like a decade! Thank y… https://t.co/76lZv63emp
Erista’s latest work Fennofobia has opened in Teater Viirus 10.8. - 28.8. #GeoffreyErista : https://t.co/WsuAulCC6G
Meet Geoffrey Erista in Lost Islands(2021) @helsinkibiennial …Geoffrey is a talented and versatile actor, dancer an… https://t.co/ddCHgbCKvQ